{"title":"Amps\/Pedals\/Accessories","description":"","products":[{"product_id":"gibson-les-paul-goldtop-1974-usa","title":"Gibson Les Paul Deluxe | Goldtop | USA | 1974","description":"\u003cp\u003eThe Les Paul Goldtop - the guitar that started Gibson's solid body legacy in 1952. It was the same model which reignited that legacy with stunning reissues back in 1968.\u003c\/p\u003e\n\u003cp\u003eThe Gibson Les Paul had been phased out in 1960 in favour of the new, contoured, lightweight Gibson SG, however, the mid 60s saw a resurgence of this older model. Players like Eric Clapton, Mike Bloomfield and Keith Richards, to name a few, favoured the looks, sound and feel of the original Les Paul design. This sparked consumer demand, and by 1968 Gibson answered that demand with their first ever reissue. As a tribute to Lester and the original Gibson Les Paul design, the 68 reissue featured a Goldtop and P90 pickups. Over the next few years the Les Paul received some changes. The headstock grew bigger, a neck volute - added material at the base of the headstock for structural reinforcement was added, the body received a “pancake” type construction - sandwiching a thin sheet of maple between two pieces of mahogany, and mini hum buckers were installed in replacement of the original P90 pickups. The original P90 rout was retained and a modified p90 cover served as the pickup ring for the mini hum bucker. And so it goes - the Gibson Les Paul Deluxe was born.\u003c\/p\u003e\n\u003cp\u003eThis example comes from 1974. Body wise it is quite original, with original finish, frets and most of the hardware. The pickups and wiring hardness have been replaced, however originals mini humbuckers come with the guitar. In 1974 mini humbuckers began receiving a stamped patent number on the pickup base. This guitar has one stamped humbucker and one patent sticker humbucker. The coils are both the same orange enamel wire and clear bobbins. The patent stamp wire appears to have had work done at some stage as evidenced by heat shrink wrap at the lead bass and resolder marks where the base plate is attached to the pickup cover.\u003c\/p\u003e\n\u003cp\u003eThe pickup rings are fixed in place with a small amount of glue and would likely need to be separated from the body using a razor blade in order to remove the pickups. The tuners have been replaced as evidenced by the original footprint and screw holes on the back of the headstock. As evidenced in the headstock photos, this has at some stage suffered the oh so common fate of Gibson Les Pauls - a headstock break. The break appears to have been relatively clean and the repair is strong.\u003c\/p\u003e\n\u003cp\u003eAll things considered, this guitar is in excellent condition for its age. The paintwork is excellent with minimal marks, wear or even much yellowing of the finish - a well preserved closet classic.\u003c\/p\u003e\n\u003cp\u003eThe pickups on this guitar are Tuxedo Noiseless mini p90s from Australian pickup manufacturer Mr Fabulous Guitars. They have a bright sound, with rich overtones and silent operation. The wiring harness is from Emerson audio with vintage style bumble bee capacitors. The neck of this Lester is relatively slim compared to many 1950s Gibson necks. The wide C profile and 43.2mm nut width. The original frets are low and wide with minimal wear. The fret nibs are not as pronounced on this guitar compared to newer reissues, which is typical of this era Les Paul.\u003c\/p\u003e\n\u003cp\u003eThis is a super clean classic Les Paul Deluxe that sounds fantastic, looks amazing and plays wonderfully. Pure vintage Gibson in every way.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eBrand: Gibson\u003cbr\u003eModel: Les Paul\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1974\u003cbr\u003eSerial: 510XXX\u003cbr\u003eCase: HSC\u003cbr\u003eBody Colour: Natural\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Nitro\u003cbr\u003eBody Material: Mahogany\/Maple\u003cbr\u003eNeck Material: Mahogany \u003cbr\u003eFretboard Material: Rosewood\u003cbr\u003eScale Length: 24 3\/4\u003cbr\u003eFrets: 22\u003cbr\u003eNeck Radius: 12” \u003cbr\u003eAction (Low E): 1.8mm\u003cbr\u003eNeck Profile: Med C\u003cbr\u003eNut Width: 43.2mm\u003cbr\u003e12th Fret Width: 52.3mm\u003cbr\u003e1st Fret Depth: 20.2mm\u003cbr\u003e12th Fret Depth: 25.4mm\u003cbr\u003ePickups: Mr Fabulous Tuxedo Noiseless P90\u003cbr\u003eResistance: Neck:16.08k, Bridge: 15.82k. Mini Humbuckers: 6.26k neck, 6.01k bridge\u003cbr\u003eElectronics: Emerson\u003cbr\u003eKnobs: Original\u003cbr\u003ePick Guard: Original\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 4.41kg\u003cbr\u003eMods, Repairs: Replaced tuners, replaced pickups, head stock repair, Emerson wiring harness. All original components except tuners are included in sale. \u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":41523279429694,"sku":"24042","price":7590.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1GibsonLesPaulGoldTop1974.jpg?v=1736723350"},{"product_id":"epiphone-casino-230td-sunburst-1964-65-usa","title":"Epiphone Casino 230TD | Sunburst | USA | 1964\/65","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CYIR-_H2wis?si=26XdmPZMWlwyqkWq\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003eIf there was ever a guitar to be held responsible for the paradigm shift in rock and roll from the early to late 1960s, the Epiphone Casino would be a strong candidate. Toted by all three pickers of the Beatles, as well as Keith Richards and a whole host of others, the Epiphone Casino can be heard on many of the most iconic songs of the 1960s. \u003c\/p\u003e\n\u003cp\u003eThe first A7 chord strummed on this guitar transports you back to Abby Road. The earthy snarl of the fully hollow body with warm, nickel covered P90 tone conjures up that sound that is instantly familiar. It is almost surprising how much of that classic Beatles tone is held in these mid 60s Epiphones.\u003c\/p\u003e\n\u003cp\u003eThis guitar is set up well and is a joy to play. The neck is on the slimmer side at 1 5\/8ths nut width. With nice straight neck, low action and smooth frets with minimal pitting this guitar is very easy on the hands.\u003c\/p\u003e\n\u003cp\u003eThis Epiphone Casino appears to have all original wiring, pickups and potentiometers. On 3 of the pots the date code is obscured by solder, but the last pot reveals a date of 1964. On account of the longer headstock, this places the build of this guitar in late ’64 or possibly early ’65. Earlier 65 instruments typically have a 1 11\/16ths nut width, while later ones typically have a 1 9\/16ths nut width. This guitar has a nut width of 1 5\/8”  which is smack dab in between the two nut widths. Necks on these mid 60s Epiphones often had an approximate 1\/16ths variance from one guitar to the next. \u003c\/p\u003e\n\u003cp\u003eThis guitar received a refret sometime in the 1980s. The fret thickness is .080\" versus the standard 0.100 at the time. At this stage the guitar received a graphite nut and mahogany binding, replacing the white plastic up the sides of the neck. The original white binding is still in place at the end of the fretboard. The back of the neck was then oversprayed, ending at the body and base of the headstock. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis guitar sports nickel P90 covers, and an original white scratch plate with the plain metallic pre 1966 “E” decal. \u003c\/p\u003e\n\u003cp\u003eInterestingly, the Trem O Tone tailpiece sports the ’66 and later raised plastic “E” logo. It is also chrome, rather than nickel. These attributes show that it is slightly newer than the rest of the guitar. The transition was made from nickel to chrome in ’65. Underneath the tailpiece there are two extra screw holes which appear to be from the original trapeze tailpiece. The original tremolo arm and clamp are not with this guitar.\u003c\/p\u003e\n\u003cp\u003eThis style of vibrato tailpiece did come as standard on this model of Casino, and its fitment was done very early on. Possibly even before its initial sale. The original tuners have been replaced with contemporary Schaller tuners. The original case is also no longer with the guitar and has been replaced with a modern Epiphone case. \u003c\/p\u003e\n\u003cp\u003eThe original bridge with nylon saddles has been replaced with a newer Gotoh bridge, sitting on the original posts and thumbwheels. The 21st fret inlay has been replaced at some stage.\u003c\/p\u003e\n\u003cp\u003eRecently the original Gibson ABR-1 bridge was recovered by the owner and will be included in the sale. It has 4 original screws and 4 of the original nylon saddles. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThere is no significant damage to this guitar. The paint is in great shape throughout with no signs of touch up or repair. There is light patina and checking on the headstock and subtle checking on the body. There are some small bumps and nicks to the finish as evidenced in photos, but, over all is in great shape.\u003c\/p\u003e\n\u003cp\u003eDespite several modifications, this is a very clean example of one of the most recorded guitars of the 60s and a model that holds a high ranking in the history rock and roll. We make every effort to have accurate and detailed representations of our instruments. If you have any questions please drop us a line. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eBrand: Epiphone\u003cbr\u003eModel: Casino 230TD\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1964\/65\u003cbr\u003eSerial: 175XXX\u003cbr\u003eCase: HSC\u003cbr\u003eBody Colour: Tea Sunburst\u003cbr\u003eNeck Colour: Brown\u003cbr\u003eFinish Type: Nitro\u003cbr\u003eBody Material: Maple\u003cbr\u003eNeck Material: Mahogany\u003cbr\u003eFretboard Material: Brazilian Rosewood\u003cbr\u003eScale Length: 24 3\/4”\u003cbr\u003eFrets: 22\u003cbr\u003eNeck Radius: 12”\u003cbr\u003eAction (Low E): 2.1mm\u003cbr\u003eNeck Profile: C\u003cbr\u003eNut Width: 41.1mm\u003cbr\u003e12th Fret Width: 49.8mm\u003cbr\u003e1st Fret Depth: 20mm\u003cbr\u003e12th Fret Depth: 23.7mm\u003cbr\u003ePickups: P90\u003cbr\u003eResistance: Neck = 7.79k Bridge = 8.29k\u003cbr\u003eElectronics: Original\u003cbr\u003eKnobs: Original, possibly one replacement (no \"volume\" decal - otherwise identical)\u003cbr\u003ePick Guard: Original\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 2.89kg\u003cbr\u003eMods, Repairs: Tuners, tailpiece, bridge, binding, frets, nut, case.\u003c\/p\u003e","brand":"Epiphone","offers":[{"title":"Default Title","offer_id":41576779546686,"sku":"24047","price":12490.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1EpiphoneCasino230TD1964.jpg?v=1739249121"},{"product_id":"24050-fender-precision-bass-candy-apple-red-1966-usa","title":"Fender Precision Bass | Candy Apple Red | USA | 1966","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/x0ezo2kuJU8?si=5wxKRgPBMBlBoWHh\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe ultimate working man’s bass. This simple and timeless design stands up today as being the definitive “do it all” instrument for bass guitarists. Resplendent in original, unaltered candy apple red with authentic patina, this vintage original 1966 P is a seriously eye catching instrument.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn 1966 Fender were still using stores of high quality, light, resonant alder bodies, rigid maple necks, nitro finish and Brazilian rosewood fretboards. It was only some years after later that we started to see heavier instruments with thick poly coatings and some interesting new designs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eStrung up with flat wounds, this bass has a powerful and focused sound with excellent warmth and definition. The neck has a comfortable medium C profile and 7”1\/4 fretboard radius. With a little relief in the neck the action sits at 3mm on the 12th fret. An older refret, there is plenty of life left in the medium jumbo frets and the rosewood fretboard is in good shape with virtually no finger indentations. At 4.1kg this bass well balanced with pleasing acoustic resonance.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThere is very little damage to this instrument aside from finish wear. There are no substantial dings or any cracks in the body or neck. The bridge was swapped many years ago for a badass bass II. This required no modification to the body, as it uses the original mounting screw orientation. The pickguard has been replaced - possibly to conceal the finger rest screw holes. The output jack has also been replaced. The back of the neck has been professionally oversprayed some decades ago, likely at the time of its frets being replaced. The original bridge cover and pickup cover are long gone, as is often the case with basses that have seen regular use.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eOther than whats mentioned, this instrument presents as original. One great sounding vintage P bass pickup with a resistance of 9.73k ohms, and fully functional original tone and volume pots with 1966 date stamps. Comes with original Fender hard shell case.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis is an exceptional bass that has appeal for collectors and professional musicians alike. And yes, it sounds as good as it looks!\u003c\/p\u003e\n\u003cp\u003e____________________\u003c\/p\u003e\n\u003cp\u003eBrand: Fender\u003c\/p\u003e\n\u003cp\u003eModel: Precision Bass\u003c\/p\u003e\n\u003cp\u003eCountry: USA\u003c\/p\u003e\n\u003cp\u003eYear: 1966\u003c\/p\u003e\n\u003cp\u003eSerial: 12XXXX\u003c\/p\u003e\n\u003cp\u003eCase: OHSC\u003c\/p\u003e\n\u003cp\u003eBody Colour: Candy Apple Red\u003c\/p\u003e\n\u003cp\u003eNeck Colour: Natural\u003c\/p\u003e\n\u003cp\u003eFinish Type: Nitro\u003c\/p\u003e\n\u003cp\u003eBody Material: Alder\u003c\/p\u003e\n\u003cp\u003eNeck Material: Maple\u003c\/p\u003e\n\u003cp\u003eFretboard Material: Rosewood\u003c\/p\u003e\n\u003cp\u003eScale Length: 34”\u003c\/p\u003e\n\u003cp\u003eFrets: 20\u003c\/p\u003e\n\u003cp\u003eNeck Radius: 7” 1\/4\u003c\/p\u003e\n\u003cp\u003eAction (Low E): 3mm\u003c\/p\u003e\n\u003cp\u003eNeck Profile: Med C\u003c\/p\u003e\n\u003cp\u003eNut Width: 43.1mm\u003c\/p\u003e\n\u003cp\u003e12th Fret Width: 56.8mm\u003c\/p\u003e\n\u003cp\u003e1st Fret Depth: 19.8mm\u003c\/p\u003e\n\u003cp\u003e12th Fret Depth: 25.1mm\u003c\/p\u003e\n\u003cp\u003ePickups: Original\u003c\/p\u003e\n\u003cp\u003eResistance: 9.73k\u003c\/p\u003e\n\u003cp\u003eWeight: 4.04kg\u003c\/p\u003e\n\u003cp\u003eElectronics: Original\u003c\/p\u003e\n\u003cp\u003eKnobs: Original\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":41636009836606,"sku":"24050","price":12565.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/FenderPrecisionBass1966CandyAppleRed17_394068c0-134e-4bc8-b58b-7260577c4486.jpg?v=1742180515"},{"product_id":"fender-jazz-bass-off-white-1983","title":"Fender Jazz Bass '62 Reissue | Olympic White | USA | 1983","description":"\u003cp\u003eHere is a fine vintage 1983 Fender Jazz Bass - 1962 slab board reissue in aged Olympic White. Made in the USA as part of the renowned Fullerton era reissues.\u003c\/p\u003e\n\u003cp\u003eBy 1983, Fender were winding down their operations in Fullerton California. CBS sold Fender back to its employees in 1985, however the Fender factory in the original location of Fullerton California was sold separately. Early 80s \"Dan Smith Era\" instruments represent a return to vintage Fender quality and were made in the same factory as the originals, before manufacturing moved to Japan. \u003c\/p\u003e\n\u003cp\u003eThis, like many of the early 80s Fender reissues features the CBS style logo rather than the vintage Fender \"spaghetti\" logo. It features a 62 style \"Slab\" board. The tan lines under the pick guard show significant yellowing over the years, giving this instrument a decidedly vintage look. \u003c\/p\u003e\n\u003cp\u003eThis bass features original circuitry and hardware, with chrome stacked knobs, replacement 3 ply tortoiseshell pick guard and single coil pickups reading 6.9k ohms at the neck and 7.2k ohms at the bridge. \u003c\/p\u003e\n\u003cp\u003eThe neck of this bass is slim and fast. 38.7mm nut width and a neck depth of 20mm at the first fret give this bass a very easy playing experience. The original reverse wound tuners have been replaced with later style forward winding tuners. One additional screw hole has been made to fasten each tuner.\u003c\/p\u003e\n\u003cp\u003eAdjustability in the truss rod has been improved by adding a spacer under the truss rod nut. The replacement pickguard holes don't all line up perfectly, as such some holes have been relocated. There are also two \"tug bar\" holes on the body. The pickgard does not have these holes, so we know this is a replacement pickguard. \u003c\/p\u003e\n\u003cp\u003eHoused in its classic Fender tweed case, this vintage Fullerton made American Fender Jazz Bass marks an important era in the history of Fender and is both a collector piece and a serious contender for the working musician. \u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eBrand: Fender\u003cbr\u003eModel: Jazz Bass ’62 Reissue - Slab board\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1983\u003cbr\u003eSerial: V008XXX\u003cbr\u003eCase: Tweed\u003cbr\u003eBody Colour: Aged white\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Lacquer\u003cbr\u003eBody Material: Alder\u003cbr\u003eNeck Material: Maple\u003cbr\u003eFretboard Material: Rosewood (slab)\u003cbr\u003eScale Length: 34”\u003cbr\u003eFrets: 20\u003cbr\u003eFretboard Radius: 7.25”\u003cbr\u003eAction (Low E): 2.5mm\u003cbr\u003eNeck Profile: C\u003cbr\u003eNut Width: 38.7mm\u003cbr\u003e12th Fret Width: 56.2mm\u003cbr\u003e1st Fret Depth: 20mm\u003cbr\u003e12th Fret Depth: 22.1mm\u003cbr\u003ePickups: Single coil\u003cbr\u003eResistance: Neck: 6.9k, Bridge: 7.2k\u003cbr\u003eElectronics: Original\u003cbr\u003eKnobs: Chrome, stacked\u003cbr\u003ePick Guard: 3 ply tortoiseshell\u003cbr\u003eTuners: Chrome\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 4.04kg\u003cbr\u003eMods, Repairs: Repro pickguard, truss rod spacer\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":41808842391614,"sku":"","price":3690.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1FenderJazzBass1983OffWhite.jpg?v=1750229383"},{"product_id":"fender-jazz-bass-vintage-1964-1971-sunburst-usa","title":"Fender Jazz Bass | Sunburst | USA | 1964\/1971","description":"\u003cp\u003eHere is a truly unique vintage Fender Jazz Bass. This instrument combines a rare 1964 “L Series” Jazz bass neck with Brazilian rosewood fretboard with a solid and well functioning 1971 Fender Jazz bass body. The end result is a killer player grade vintage bass with a whole lot of character and vintage authenticity. \u003c\/p\u003e\n\u003cp\u003eThis bass presents in very good condition. The durable poly finish on the body has held up well over the years, despite clear evidence of being played considerably. A 2mm groove has been worn into the front of the bass where the players thumb has rested for countless hours of playing. All the original controls and electrical components are present on the body. The three original Centralab pots all show a date of 1971. We believe these pickups have never been unsoldered from these pots. This indicates that these controls have never been removed from the instrument. This, combined with the poly finish, 11 hole guard, absence of paint nail holes, and the style of burst finish, point to the body as being from 1971. \u003c\/p\u003e\n\u003cp\u003eThe coolest part of this bass is its neck. A beautiful slim and straight example of pre CBS craftsmanship. The slim “A stamped” Jazz bass neck has a nut width of 38mm and a neck depth of 20.2mm at the first fret give this instrument that slick, easy playing feel that you'd expect from an L series Jazz Bass. This bass has reproduction vintage style reverse wind tuners. The original frets have plenty of life with minimal signs of pitting. Original clay dots are present. This bass has some light pink dot marker paint on the side of the fretboard over the original side dots. This neck has received an overspray a long time ago. There are several chips on the outer layer showing a lighter nitrocellulose lacquer underneath. \u003c\/p\u003e\n\u003cp\u003eThis bass has a reproduction plastic tug bar with new screws. The pickguard is an old 11 hole white three ply guard (11 hole guards were introduced mid 1965), it is likely not original to this sunburst body. The bridge of this bass is also not original to this body, as the threaded saddles were phased out in 1966\/67. It is possible the bridge belonged to the original 1964 body. White guards where typically available on custom colours. There is evidence of different colours inside of the chrome neck plate. At this stage the original colour is purely speculation as there is not enough evidence for us to know for sure. \u003c\/p\u003e\n\u003cp\u003eA vintage bridge cover comes with this bass, it does not have the neck pickup cover. \u003c\/p\u003e\n\u003cp\u003eThere are several areas where the black finish has been touched up with a felt tip marker, and give of a distinct purple hue under light. This is most prominently on the outer side of the lower horn.\u003c\/p\u003e\n\u003cp\u003eAt 6.5k in the neck and 6.9k in the bridge, these pickups are well balanced. This bass has that classic, punchy “piano” sound with excellent articulation that vintage jazz basses are renowned for.\u003c\/p\u003e\n\u003cp\u003eThis is an very cool old jazz bass, constructed with a lot of valuable vintage parts, but offered here at a considerably lower price than an original example. A fascinating vintage puzzle with appeal to players and collectors alike. \u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eBrand: Fender\u003cbr\u003eModel: Jazz Bass\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1964\/1971\u003cbr\u003eSerial: L25XXX\u003cbr\u003eCase: Stamford\u003cbr\u003eBody Colour: Sunburst\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Nitro\/Poly\u003cbr\u003eBody Material: Adler\u003cbr\u003eNeck Material: Maple\u003cbr\u003eFretboard Material: Brazilian Rosewood\u003cbr\u003eScale Length: 34”\u003cbr\u003eFrets: 20\u003cbr\u003eFretboard Radius: 7.25” \u003cbr\u003eAction (Low E): 2.3mm\u003cbr\u003eNeck Profile: Slim “A” Stamp\u003cbr\u003eNut Width: 38.1mm\u003cbr\u003e12th Fret Width: 56.1mm \u003cbr\u003e1st Fret Depth: 20.2mm\u003cbr\u003e12th Fret Depth: 25.1mm\u003cbr\u003ePickups: Jazz Single Coil\u003cbr\u003eResistance: N-6.5k, B-6.9k\u003cbr\u003eElectronics: Volume, Volume, Tone\u003cbr\u003eKnobs: Black Plastic\u003cbr\u003ePick Guard: White 3 ply\u003cbr\u003eTuners: Chrome, Reverse wind\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 3.95kg\u003cbr\u003eMods, Repairs: 1964 “L Series Jazz Bass neck on 1971 Body. Nitro neck with overspray, poly body. Original controls,\u003cbr\u003eNotes: no evidence of soldering in control cavity helps confirm this body is of 1971 vintage, as the controls have never been removed. \u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":41820462514238,"sku":"","price":11664.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1FenderJazzBass1964_1971Sunburst-USA_925e3a47-1bd3-4d92-9598-95da3acd62e7.jpg?v=1750909336"},{"product_id":"fender-vibrolux-reverb-amp-black-tolex-1969-made-in-usa","title":"Vintage Fender Vibrolux Reverb | Black Tolex | USA | 1968\/69","description":"\u003cp\u003eThe Vibrolux. The perfect working mans amp? Quite possibly. An amp like this combines that classic 60s Fender clean tone, with switchable reverb and tremolo, in a powerful but portable 35 watt 2 x 10 combo. Light enough to lug from gig to gig, and loud enough to compete with some of the most enthusiastic rhythm sections. \u003c\/p\u003e\n\u003cp\u003eThis amp is super clean and original. While there is evidence of servicing in the chassis, this amp is lucky to be sporting an almost full set of vintage RCA tubes and two perfectly functioning vintage Oxford 10” speakers. These are some highly prized speakers, known for their crisp and glassy tones, tight bass response and scooped midrange, giving this amp that wonderful 60s Fender sparkle. \u003c\/p\u003e\n\u003cp\u003ePotentiometer and transformer dates on this amp range from late 1968 to early 1969. This “drip edge” design is generally associated with 1968, and was phased out not long after this amp was made. \u003c\/p\u003e\n\u003cp\u003eThis amp has been used primarily for jazz guitar throughout most of its life. As such it hasn’t been pushed too hard. While its been played, it certainly has been operated well within safe levels.\u003c\/p\u003e\n\u003cp\u003eThis amp is wired to run using Australian power and does not need an external transformer. Just plug in and enjoy one of the nicest vintage Fender tones money can buy!\u003cbr\u003e \u003cbr\u003eBrand: Fender\u003cbr\u003eModel: Vibrolux Reverb\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1969\u003cbr\u003eCabinet: Solid pine with particle board baffle\u003cbr\u003eProduction Code: A 12XXX\u003cbr\u003ePower Output: 35 Watts\u003cbr\u003eSpeakers: 2 x 10” Fender Oxford Speakers\u003cbr\u003eTubes: \u003cbr\u003e1 x RCA 5u4gb, \u003cbr\u003e2 x RCA 6L6GC, \u003cbr\u003e1 x RCA 12AT7, \u003cbr\u003e1 x Telefunken 12 AX7 \u003cbr\u003e4 x RCA 7025 \u003cbr\u003eCovering: Black Tolex\u003cbr\u003eCab Material: Ply\u003cbr\u003eAccessories: Vintage footswitch\u003cbr\u003eDimensions: Height: 46cm, Width: 63cm, Depth: 24cm\u003cbr\u003eWeight: 20kg\u003cbr\u003eNotes: All but one Vintage RCA Tubes and desirable vintage Oxford Speakers\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":41833647538238,"sku":null,"price":5841.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1FenderVibroluxReverb-AmpBlackTolex1969USA.jpg?v=1751614475"},{"product_id":"fender-precision-bass-fretless-natural-refin-1962-usa","title":"Fender Precision Fretless Bass | Natural | USA | 1962","description":"\u003cp\u003eThis is a very interesting piece. This instrument started out its life as a 1962 Fender Precision bass in sunburst finish. Somewhere along the way, this instrument has experienced a comprehensive makeover, making it a truly unique, player grade vintage fretless bass. The fretless bass didn’t exist in 1962. It wasn’t, for the most part until the late 60s when fretless basses began to appear, bridging a gap between the articulation of the fretted instruments and warm expressiveness of an upright bass. In the 1970s the fretless bass craze began to emerge in a large part due to the incredible bass work of Jaco Pastorius. \u003c\/p\u003e\n\u003cp\u003eThis bass plays well as a fretless. The original Brazilian rosewood “slab” fretboard has been planed down for a smooth playing surface and has a 1st fret depth of 17.3mm and a nice wide nut width of 43.6mm. You can see in later pictures how thin the edges of this slab board are. There is evidence to suggest a refret was carried out at some stage after the board had been thinned out. This is shown by the unusually deep fret tangs in the upper register - going quite far into the maple neck from the mid range up to the 20th fret.\u003c\/p\u003e\n\u003cp\u003eThis bass was refinished in gloss polyurethane some time ago, which shows deep finish checking. Evidence of the original sunburst finish is shown in the neck pocket. The neck has a glossy headstock face with a reproduction period correct decal over the top (you can just see the footprint of the original decal, offset by about 1.5mm). The back of the neck\/headstock has been buffed, as evidenced by cutting compound in the hootenanny button hole (headstock strap button). The thin neck finish has a nice vintage feel without the poly “stickiness” that some refinished basses experience. Original heal date stamp shows thicker finish with original nitro in tact around it.\u003c\/p\u003e\n\u003cp\u003eThe neck pocket of this bass shows the shadow of the 'mounting stick' used to paint these instruments, which began to appear in late 1962, we also have some nail holes in the treble cutaway, at the bridge and the control cavity next to the volume knob. There is no date markings in the pickup cavity, as they have been removed with the refinish. \u003c\/p\u003e\n\u003cp\u003eThis bass also sports a WD enterprises tortoiseshell pick guard (held in with hum bucker mount screws), replacement tug bar and an after market late 60s style bridge with brass saddles and metric grub screws. The pickup appears to be original with black bobbins, with original cloth wire, brass base and a healthy 11.07k resistance. Volume and tone pots have been replaced. Fender used “reverse wound” tuners up until approximately 1966. The tuners on this instrument have been replaced with later model, forward winding tuners. \u003c\/p\u003e\n\u003cp\u003eThis instrument comes with a late 1960s vintage Fender case with a chain handle. \u003c\/p\u003e\n\u003cp\u003eAside from the substantial modifications, this is still very nice, light, resonant pre CBS, Pre L series Fender Precision bass. A truly unique fretless conversion that can be either enjoyed as is, or restored to its former glory. Either way, this is a one of a kind and affordable foray into the world of pre CBS Fender basses, with a heck of a story to tell. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eBrand: Fender\u003cbr\u003eModel: Precision Bass (Fretless conversion)\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1962\u003cbr\u003eSerial: 30XXX\u003cbr\u003eCase: Fender Hard Shell\u003cbr\u003eBody Colour: Natural\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Poly Refin\u003cbr\u003eBody Material: Alder\u003cbr\u003eNeck Material: Maple\u003cbr\u003eFretboard Material: Brazilian Rosewood\u003cbr\u003eScale Length: 34”\u003cbr\u003eFrets: N\/A\u003cbr\u003eFretboard Radius: 7 1\/4”\u003cbr\u003eAction (Low E): 3mm\u003cbr\u003eNeck Profile: Slim C\u003cbr\u003eNut Width: 43.6mm\u003cbr\u003e12th Fret Width: 57.8mm\u003cbr\u003e1st Fret Depth: 17.3mm\u003cbr\u003e12th Fret Depth: 23.5mm\u003cbr\u003ePickups: Split Single\u003cbr\u003eResistance: 11.07k\u003cbr\u003eElectronics: Modified\u003cbr\u003eKnobs: Vol\/Tone\u003cbr\u003ePick Guard: Tortoiseshell\u003cbr\u003eTuners: Fender, post 1966\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 3.37kg\u003cbr\u003eMods, Repairs: Refinish (clear poly), replaced tuners, replaced volume and tone pots, replaced pick guard, bridge, converted to fretless\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":41841917689918,"sku":"25018","price":8890.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1FenderPrecisionBass-Fretless-NaturalRefin-1962-USA.jpg?v=1752129984"},{"product_id":"vintage-fender-precision-bass-1962-1968-sunburst","title":"Fender Precision Bass | Sunburst | USA | 1962\/1968","description":"\u003cp\u003eHere is a beautiful, clean looking vintage 1962 Fender Precision bass. This is a solid, structurally sound and excellent performing vintage Fender that can be had for considerably less than the majority of pre CBS, pre L Series Fender basses on the market. \u003c\/p\u003e\n\u003cp\u003eThis bass has had a few modifications that detract from originality, yet make this a solid player grade option. Early in this instrument’s life (we believe 1970s) this bass has received a replacement neck. Why? We don’t know. All we know is that it feels excellent - nice and straight, with a solid, slightly chunky feel to it. It has had a refret with big, fat 2.9mm jumbo frets with plenty of life in them, and a set of forward winding Fender brand tuners. These tuners were installed sometime later. The “R” trademark appeared after 1976 and these tuners occupy a slightly different footprint to the ones previously on this bass. Heavy checking on the headstock shows this is a nitro finish - which was phased out in favour of the less desirable polyurethane in 1968. \u003c\/p\u003e\n\u003cp\u003eThe body of this bass is very clean - in no small part contributed to by an early clear overspray. This is evidenced by very subtle signs of drip in the upper neck pocket, as well as some light scuffs on the wood that have been painted over and are smooth to the touch. Again - this was done a long time ago. Some paint scratches have on the black edges have been ‘touched up’ by permanent marker at some stage. \u003c\/p\u003e\n\u003cp\u003eThis bass arrived to us with an original vintage Fender black bobbin pickup which we believe to be original to this guitar. The treble side pickup bobbin was reading high resistance - this was attributed to coil corrosion and needed to be rewound. Some poor quality solder on the potentiometers and the pickup itself suggest previous failed attempts to repair this pickup. We enlisted the services of highly reputable Slider’s Pickups (who famously make pickups for Nacho Banos - world renowned guitar builder and writer of “The Black Guard” book). The coil was rewound with vintage accurate 42 gauge plain enamel wire and new foam risers. The new winding is both a visual and sonic perfect match for the original bass side of the pickup and sounds excellent. \u003c\/p\u003e\n\u003cp\u003eOriginal pots both show manufacture dates of early 1962. Nail holes from pre 1963 painting methods are all where they should be, as well as clear pencil ’62 marking in the pickup cavity. Lack of paint stick outline in the neck pocket is also correct for this time period. Neck plate serial 74XXX is also from 1962. Comes with an early 1970s Fender case. \u003c\/p\u003e\n\u003cp\u003eThis is a fantastic playing, great sounding, super clean player-grade vintage ’62 Fender Precision that can be had for a great price. \u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eBrand: Fender\u003cbr\u003eModel: Precision Bass\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1962\/1968\u003cbr\u003eSerial: 74XXX\u003cbr\u003eCase: Vintage HSC\u003cbr\u003eBody Colour: Sunburst\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Nitro\u003cbr\u003eBody Material: Alder\u003cbr\u003eNeck Material: Maple\u003cbr\u003eFretboard Material: Rosewood\u003cbr\u003eScale Length: 34”\u003cbr\u003eFrets: 20\u003cbr\u003eFretboard Radius: 7 1\/4” \u003cbr\u003eAction (Low E): 3mm\u003cbr\u003eNeck Profile: C\u003cbr\u003eNut Width: 41.3mm\u003cbr\u003e12th Fret Width: 58mm\u003cbr\u003e1st Fret Depth: 21.5mm\u003cbr\u003e12th Fret Depth: 24.2mm\u003cbr\u003ePickups: Vintage - Black bobbin\u003cbr\u003eResistance: 10.6k\u003cbr\u003eElectronics: Vol\/Tone\u003cbr\u003eKnobs: Chrome\u003cbr\u003ePick Guard: Vintage tortoiseshell\u003cbr\u003eTuners: Replacement Fender forward winding\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 4.2kg\u003cbr\u003eMods, Repairs: Replacement neck, refret, replacement tuners, rewound treble side pickup coil, early overspray \u003cbr\u003e\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":41873379819582,"sku":null,"price":12490.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1VintageFenderPrecisionBass1962Sunburst_4d9ad831-ddf6-462f-8d70-f92402cc1206.jpg?v=1772596443"},{"product_id":"1974-fender-bassman-and-ev-cab","title":"Fender Bassman Bass Amp and Cab | Tolex | USA | 1975","description":"\u003cp\u003eThis 1975 Fender Bassman and EV Cab combo has seen a great deal of action over the last five decades. Why? Because it sounds great! Owned by one of the founders of one of Australia’s most iconic surf bands, this vintage 100 watt bass combo delivers a punchy and warm vintage tube sound that is a testament to the clear signs of use. It just proves that these simple turret board hand wired old Fender amps really do go forever.\u003c\/p\u003e\n\u003cp\u003eThe Fender Bassman amp has a long legacy as being not just a great bass amp, but a great guitar amp also. The 100 Watt versions, introduced in 1972 represent considerably more headroom than the previous 50 watt iterations, but are still hand wired, tube driven, and very pedal friendly.\u003c\/p\u003e\n\u003cp\u003eThe cabinet itself shows separation from the top and sides. As the heavy components of the amp are directly bolted to the handle, this presents minimal risk when picking up the amp. This amp is a strong candidate for a re-tolex with some structural repairs along the way. The front grille cloth is in surprisingly good shape considering everything else, with one tear visible below the master volume. \u003c\/p\u003e\n\u003cp\u003eThis amp has had its fair share of service work over the years and a number of pots, and capacitors have been replaced. The original pots and transformers present a date range from 1973 to 1975. More chassis pictures can be supplied upon request from serious inquiries. \u003c\/p\u003e\n\u003cp\u003eThis has one functioning output channel, which uses a handmade 1\/4 jack to XLR lead to power the EV cab. The sound is a punchy, big sound that drives when volume is cranked. \u003c\/p\u003e\n\u003cp\u003eThis amp represents one of the last years of classic Fender, before the shift to printed circuit boards, but it can still be had for a decent price - a real sleeper in the vintage market.\u003c\/p\u003e\n\u003cp\u003eThe full details of the speaker cab are currently unknown, however it is believed to retain the original speaker which is fully functional. We can dismantle and investigate further for serious inquiries, otherwise it is sold as-is.\u003c\/p\u003e\n\u003cp\u003eThe Bassman Head and EV Cab can be sold separately at $1699 for the head and $200 for the EV cabinet.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eBrand: Fender\u003cbr\u003eModel: Bassman 100\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1975\u003cbr\u003eSerial: B 04448:\u003cbr\u003ePower Output: 100 Watts\u003cbr\u003eSpeakers: N\/A\u003cbr\u003eTubes: 12AX7 (x2), 12AT7 (x1), 6L6GC (x4)\u003cbr\u003eCovering: Black Tolex\u003cbr\u003eCab Material: Pine box, Particle Board Back\u003cbr\u003eAccessories: 1\/4 to XLR output jack\u003cbr\u003eDimensions: 67x24x25cm\u003cbr\u003eWeight: 19kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":42209834008638,"sku":null,"price":1690.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1FenderBassman1001974andCab.jpg?v=1762309713"},{"product_id":"andy-taylor-custom-semi-hollow-natural-2023-australia","title":"Andy Taylor Custom | Natural | AUS | 2023","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/01Tgy05JBL8?si=aykz6rw-qtaKi5ag\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003eAnother offering from one of our favourite Sydney guitar makers. This Andy Taylor Custom is a semi hollow flat top which tips the hat to a the Gibson, Gretsch and Fender designs to come out of the late 1950s and early 60s. These style cues, with Andy’s signature flair and attention to detail make this both an eye catching instrument and a killer guitar in its own right. \u003c\/p\u003e\n\u003cp\u003eThe body shape, which has a bit of a Gibson ES335 style, also has a bit of a Tele thinline flair to it. This is due to the flat top semi hollow construction with string through body routing. The strings rest on a Gibson “Nashville” style adjustable bridge which is subtly routed into the body for a more streamlined feel. The pickups are both TV Jones Filtertrons - the kind that Brian Setzer has in practically all of his signature Gretsch guitars. Having considerably higher fidelity than most Gibson Humbuckers, these TV Jones Filtertrons are punchy, clear with that great Gretsch sparkle which makes excellent for country, rock, and blues. \u003c\/p\u003e\n\u003cp\u003eThis instrument features an array of exotic materials. The body is Black Limba, with a highly figured solid Casuarina top. The Casuarina cap is inset from the edge with gold trim and off white double binding at the edges. The neck is figured maple with 3 mahogany laminations, which aside from looking great, give this neck tremendous stability. The figured maple neck is nicely matched with a figured maple fretboard medium jumbo frets and off white binding. \u003c\/p\u003e\n\u003cp\u003eThe neck has a medium to slightly thick C profile with a nut width of 43.6mm. Like many PRS instruments, this has a scale length of 25”.\u003c\/p\u003e\n\u003cp\u003eSupport great Australian craftsmanship! This is a truly unique, meticulously crafted instrument that will always grab attention where ever it goes.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eBrand: Andy Taylor Custom\u003cbr\u003eModel: Semi Hollow \u003cbr\u003eCountry: AUS\u003cbr\u003eYear: 2023\u003cbr\u003eSerial: N\/A\u003cbr\u003eCase: Gig Bag\u003cbr\u003eBody Colour: Natural\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Nitro\u003cbr\u003eBody Material: Black Limba\/Casuarina\u003cbr\u003eNeck Material: Maple\/mahogany\u003cbr\u003eFretboard Material: Maple\u003cbr\u003eScale Length: 25”\u003cbr\u003eFrets: 22\u003cbr\u003eFretboard Radius: 12”\u003cbr\u003eAction (Low E): 2mm\u003cbr\u003eNeck Profile: med\/thick C\u003cbr\u003eNut Width: 43.6mm\u003cbr\u003e12th Fret Width: 52.1mm\u003cbr\u003e1st Fret Depth: 22.2mm\u003cbr\u003e12th Fret Depth: 24.1mm\u003cbr\u003ePickups: TV Jones Filtertron\u003cbr\u003eResistance: Neck=3.9k, Bridge= 4.8k\u003cbr\u003eElectronics: Vol\/Tone x 2, 3 way selector\u003cbr\u003eKnobs: 60s Gibson Style\u003cbr\u003eTuners: Grover Deluxe\u003cbr\u003eHardware: Gold\u003cbr\u003eWeight: 3.07kg\u003c\/p\u003e","brand":"Andy Taylor Customs","offers":[{"title":"Default Title","offer_id":42222772224062,"sku":null,"price":2655.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/13AndyTaylorCustom-Hollowbody-Natural-2023-Australia.jpg?v=1762678052"},{"product_id":"taylor-t5z","title":"Taylor T5z Pro | Molasses Sunburst | USA | 2017","description":"\u003cp\u003eThe Taylor T5z Pro is a stunning looking, top tier, hybrid acoustic electric, and a highly versatile guitar made by one of the worlds most respected guitar makers.   \u003c\/p\u003e\n\u003cp\u003eTaylor has a legacy of crafting some of the finest acoustic contemporary acoustic guitars available today. This instrument combines that, with discreet electric guitar attributes to make it an extremely versatile instrument.\u003c\/p\u003e\n\u003cp\u003eThis T5z Pro sports three pickups. An internal acoustic sensor, a visible hum bucking bridge pickup and a discreet, under top neck hum bucking pickup. These are controlled by a 5 way switch on the top side, and three small dials (volume, bass and treble) on the top. The hollow construction of this instrument gives decent natural acoustic projection without being plugged in. This 2017 model features two f holes and top mounted tone and volume. Later Pro models have one F hole, and volume and tone controls on the lower bout.\u003c\/p\u003e\n\u003cp\u003eThe acoustic sound of this instrument is pure, clear and high fidelity. While traditional acoustics struggle with feedback and pickup placement issues, the Taylor T5z Pro was designed around the pickup platform for the best possible sonic outcome. As well as having stellar acoustic tones, the bridge pickup has a bright, almost tele like twang, without the hum. The neck pickup, while also being a hum bucker, has, in the default tonal position, a clear, single coil-esque tone. This can be warmed up to make this instrument a modern hybrid jazz box. \u003c\/p\u003e\n\u003cp\u003eThe lightweight urban ash body and Neo-Topical Mahogany neck are finished in a subtle yet highly durable UV coated poly based finish in high gloss. The dark molasses sunburst showcases a striking, deep quilted maple top. Jumbo frets sit on a AAA ebony fretboard. \u003c\/p\u003e\n\u003cp\u003eThis guitar is in almost new condition, and shows virtually no visible signs of play wear. \u003c\/p\u003e\n\u003cp\u003eComes with original hard shell case\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eBrand: Taylor\u003cbr\u003eModel: T5z Pro\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 2017\u003cbr\u003eSerial: 1112087XXX\u003cbr\u003eCase: OHSC\u003cbr\u003eBody Colour: Molasses Sunburst\u003cbr\u003eNeck Colour: Molasses Sunburst\u003cbr\u003eFinish Type: UV cured Polyester Based Finish\u003cbr\u003eBody Material: Urban ash with big leaf figured maple top\u003cbr\u003eNeck Material: Nop - Tropical Mahogany\u003cbr\u003eFretboard Material: Ebony\u003cbr\u003eScale Length: 24 - 7\/8”\u003cbr\u003eFrets: 21\u003cbr\u003eFretboard Radius: 12”\u003cbr\u003eAction (Low E): 2.2mm\u003cbr\u003eNeck Profile: C\u003cbr\u003eNut Width: 43mm\u003cbr\u003e12th Fret Width: 50.8mm\u003cbr\u003e1st Fret Depth: 20.2mm\u003cbr\u003e12th Fret Depth: 21.4mm\u003cbr\u003ePickups: visible bridge HB, concealed Neck HB, concealed body sensor\u003cbr\u003eResistance: 10k neck and bridge\u003cbr\u003eTuners: Taylor closed back\u003cbr\u003eHardware: Nickel\u003cbr\u003eWeight: 2.4kg\u003cbr\u003eMods, Repairs: N\/A\u003c\/p\u003e","brand":"Taylor","offers":[{"title":"Default Title","offer_id":42251896979518,"sku":null,"price":3900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1Taylort5zAcousticHybridGuitar_de6fdefe-6af9-4af3-913c-e69d1685d4f1.jpg?v=1763516854"},{"product_id":"epiphone-crestwood-polaris-white-2021","title":"Epiphone Crestwood | Polaris White | PRC | 2021","description":"\u003cp\u003eFirst introduced in the late 1950s, the Epiphone Crestwood was the company’s first and most distinctive solid body electric guitar. Favoured for its slim, lightweight body, fast neck and punchy mini hum bucker tone, the guitar presented a unique, eye catching departure from the standard Gibson and Fender designs of the era. \u003c\/p\u003e\n\u003cp\u003eThe deep double cutaway and 22 fret neck make access to the entire neck a breeze. Unlike many SGs an Telecasters of the era, this guitar, despite being lightweight, sits very comfortably with no neck dive. The neck is dead straight with a slightly chunky C profile and slightly rounded fretboard edges, giving an easy and confidence inspiring feel up and down the neck. \u003c\/p\u003e\n\u003cp\u003eThis 2021 model in Polaris White has been kept in near new condition with no modifications. This guitar comes with a gig bag, so pickup or nearby delivery is preferred. However, we can source a protective hard case for domestic or international shipping for an additional $120 \u003c\/p\u003e\n\u003cp\u003eThis 2021 Epiphone Crestwood offers vintage style, lightweight comfort and excellent playability at a very affordable price. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e————————————\u003cbr\u003eBrand: Epiphone\u003cbr\u003eModel: Crestwood\u003cbr\u003eCountry: China\u003cbr\u003eYear: 2021\u003cbr\u003eSerial: 21071522XXX\u003cbr\u003eCase: Gig bag\u003cbr\u003eBody Colour: Polaris White\u003cbr\u003eNeck Colour: Polaris White\u003cbr\u003eFinish Type: Polyurethane\u003cbr\u003eBody Material: Mahogany\u003cbr\u003eNeck Material: Mahogany\u003cbr\u003eFretboard Material: Rosewood\u003cbr\u003eScale Length: 24-3\/4”\u003cbr\u003eFrets: 22\u003cbr\u003eFretboard Radius: 12”\u003cbr\u003eAction (Low E): 1.7mm\u003cbr\u003eNeck Profile: C\u003cbr\u003eNut Width: 42.9mm\u003cbr\u003e12th Fret Width: 53.0mm\u003cbr\u003e1st Fret Depth: 20.4mm\u003cbr\u003e12th Fret Depth: 23.8mm\u003cbr\u003ePickups: Mini humbuckers\u003cbr\u003eResistance: Neck = 6.35k Bridge = 7.68\u003cbr\u003eElectronics: Original\u003cbr\u003eKnobs: Black top hat with silver cap\u003cbr\u003ePick Guard: Clear\u003cbr\u003eTuners: Kluson style\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 3.06kg\u003cbr\u003e\u003c\/p\u003e","brand":"Epiphone","offers":[{"title":"Default Title","offer_id":42257408262206,"sku":null,"price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1EpiphoneCrestwood-PolarisWhite.jpg?v=1763688854"},{"product_id":"fender-stratocaster-sunburst-1973-usa","title":"Fender Stratocaster |Sunburst | USA | 1973","description":"\u003cp\u003eIf clean is your thing, then look no further. This 1973 Fender Stratocaster is in fantastic shape. Belonging to a renowned Sydney guitar luthier, this vintage 1973 Strat has received all the care and preventative maintenance a guitar could want. This results in a super clean, well set up, great playing, great sounding vintage Strat. \u003c\/p\u003e\n\u003cp\u003eThe guitar sports the original grey backed Fender pickups, at some point they were swapped out at one stage for Kinmans. The originals always stayed with the instrument, and have been reinstalled for sale. Several fresh solder joints confirm this. One visible date under the middle tone pot gives us a date reading of 49th week of 1972 - closely followed by a neck production date of January 1973. The original 1973 dated pickups are well balanced, with slightly higher 5.74k output at the bridge. \u003c\/p\u003e\n\u003cp\u003eAt 3.55kg, or 7.8lbs, this instrument is relatively light - substantially lighter than many 1970s instruments we’ve seen. This guitar sports an extremely clean, almost undetectable refret with replacement .10” (2.7mm) medium jumbo frets. They have some light wear in the lower registers - approx. 80% left of their playing life left. The guitar sports aftermarket Fender stamped bridge plate and saddles from the early 1980s. The tremolo block is also made of chrome plated brass. These units were an upgrade of the original ‘pot cast’ Fender saddles and are extremely rare. How cool!\u003c\/p\u003e\n\u003cp\u003eThis is one of nicest early 1970s Strat we have ever seen. A fantastic player, and a very clean example. Comes with an after market Fender tweed case.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eBrand: Fender\u003cbr\u003eModel: Stratocaster\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1973\u003cbr\u003eSerial: 379XXX\u003cbr\u003eCase: Tweed HSC\u003cbr\u003eBody Colour: Sunburst\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Poly\u003cbr\u003eBody Material: Alder\u003cbr\u003eNeck Material: Maple\u003cbr\u003eFretboard Material: Rosewood\u003cbr\u003eScale Length: 25.5\"\u003cbr\u003eFrets: 21\u003cbr\u003eFretboard Radius: 7 1\/4”\u003cbr\u003eAction (Low E): 1.9mm\u003cbr\u003eNeck Profile: C\u003cbr\u003eNut Width: 41.2mm\u003cbr\u003e12th Fret Width: 52mm\u003cbr\u003e1st Fret Depth: 20.2mm\u003cbr\u003e12th Fret Depth: 23.4mm\u003cbr\u003ePickups: Single Coil\u003cbr\u003eResistance: \u003cbr\u003eNeck = 5.63K \u003cbr\u003eMiddle = 5.6K \u003cbr\u003eBridge = 5.74K\u003cbr\u003eElectronics: Original\u003cbr\u003eKnobs: White\u003cbr\u003ePick Guard: white, black white\u003cbr\u003eTuners: Original “F” stamp\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 3.55kg\u003cbr\u003eMods, Repairs: Bridge upgrade, refret\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":42486934372414,"sku":null,"price":7950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1FenderStratocaster1973-Sunburst-USA_6df2e1ac-a7ae-4d79-b7be-22dd6526dfb5.jpg?v=1772196694"},{"product_id":"tokai-es60-sr-es-335-cherry-red-2008-japan","title":"Tokai ES60 SR (ES-335) | Cherry Red | PRC | 2008","description":"\u003cp\u003eTokai are a Japanese manufacturer, renowned for their high quality, great playing and affordable remakes of high end Gibson Guitars. \u003c\/p\u003e\n\u003cp\u003eThe Tokai ES60 SR is a very nice reproduction of the 1960 Gibson ES-335 from the Chinese Tokai factory. It has a medium\/slim neck, dot inlays and classic vintage ES-335 appointments. The guitar features chrome hardware, with aged white binding and a durable poly finish. Body and neck construction is all maple on this instrument, yielding a brighter, snappier tone than its mahogany necked counterparts. \u003c\/p\u003e\n\u003cp\u003eThe feel on this guitar is what makes these Tokais so beloved. The neck is laser straight with medium jumbo frets. The profile is a medium, slightly slim C and is fast and easy to play. Acoustically the guitar is bright and resonant. Amplified this guitar sounds exactly how it should - big and warm, with a touch more clarity than you might expect. \u003c\/p\u003e\n\u003cp\u003eThe body and neck are maple on this guitar. The Tokai specs of the time do state that the neck should be mahogany, however, the lightness of colour and grain patterns do indicate a maple neck. Tokai enthusiasts will know that the manufacturer was liable to change things up without warning. Maple is a harder wood and yields a snappier, brighter tone than mahogany. \u003c\/p\u003e\n\u003cp\u003eThe finish is largely dent and scratch free - with only a few dings as evidenced in the photos. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe electronics work fine, however the pickup selector is currently a little stiff but fully functional. We’ve worked it with some electrical lubricant and it will likely loosen up more with continued use. \u003c\/p\u003e\n\u003cp\u003eThis is a superfine example of Tokai’s affordable yet quality craftsmanship, and a dream to play.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eBrand: Tokai\u003cbr\u003eModel: ES60 SR\u003cbr\u003eCountry: China\u003cbr\u003eYear: 2008\u003cbr\u003eSerial: 081XXX\u003cbr\u003eCase: HSC\u003cbr\u003eBody Colour: Cherry Red\u003cbr\u003eNeck Colour: Cherry Red\u003cbr\u003eFinish Type: Poly\u003cbr\u003eBody Material: Laminated Maple\u003cbr\u003eNeck Material: Maple\u003cbr\u003eFretboard Material: Rosewood\u003cbr\u003eScale Length: 24 3\/4”\u003cbr\u003eFrets: 22\u003cbr\u003eFretboard Radius: 12”\u003cbr\u003eAction (Low E): 1.5mm\u003cbr\u003eNeck Profile: Med C\u003cbr\u003eNut Width: 42.2mm\u003cbr\u003e12th Fret Width: 52.7mm\u003cbr\u003e1st Fret Depth: 20.2mm\u003cbr\u003e12th Fret Depth: 21.47mm\u003cbr\u003ePickups: \u003cbr\u003eResistance: N:8.6K B: 9.3k\u003cbr\u003eElectronics: Original\u003cbr\u003eKnobs: Top Hat\u003cbr\u003ePick Guard: Black 4 ply\u003cbr\u003eTuners: Tulip Kluson style\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 3.74kg\u003cbr\u003eMods, Repairs: N\/A\u003c\/p\u003e","brand":"Tokai","offers":[{"title":"Default Title","offer_id":42507846320190,"sku":null,"price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/17TokaiES60SRCherryRedJapan.jpg?v=1772088214"},{"product_id":"fender-stratocaster-standard-candy-apple-red-mexico-2011","title":"Fender Stratocaster Standard | Candy Apple Red | Mexico | 2011","description":"\u003cp\u003eThis Strat is a no nonsense, stripped back rock and roll machine. Originally a standard 3 pickup Stratocaster, this standard, alder body guitar has been customised - eliminating the front pickup, middle pickup, pickup selector and tone controls and all sealed up in a replacement three ply pickguard. The guitar sports a single DiMarzio Fast Track 1 pickup in the bridge. \u003c\/p\u003e\n\u003cp\u003eThis guitar has seen its fair share of international travel and sports a couple of battle scars, particularly in the upper cutaway near the neck pocket, and on the lower side near the output jack. Aside from this and some surface marks, the guitar is structurally and functionally without issues. Fretwear is minimal. The neck is a comfy slim\/medium C feel, with slight relief and 2mm action at the 12th fret. \u003c\/p\u003e\n\u003cp\u003eSonically, this instrument packs a punch. The single DiMarzio Fast Track 1 in the bridge position is directly wired to the output jack, eliminating any tone roll off that can be had from the conventional circuit. What results in a very clear and loud projection with no hum, thanks to its dual rail hum bucking design. Great for high gain, while also retaining the classic Fender single coil fidelity. \u003c\/p\u003e\n\u003cp\u003eThis stripped back instrument weighs in at 3.6kg. There is light rust and pitting on the chrome tuning ferrules as well as on the stamped Fender bridge saddles. Apart from the pickup and control delete on this instrument, it is otherwise stock. \u003c\/p\u003e\n\u003cp\u003eIncluded with the purchase is a sturdy after market flight case. This guitar is an eye catching and hard rocking bit of kit. Any questions, please drop us a line!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eBrand: Fender\u003cbr\u003eModel: Standard Stratocaster\u003cbr\u003eCountry: Mexico\u003cbr\u003eYear: 2011\u003cbr\u003eSerial: MX11241XXX\u003cbr\u003eCase: HSC\u003cbr\u003eBody Colour: Candy Apple Red\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Gloss Urethane\u003cbr\u003eBody Material: Alder\u003cbr\u003eNeck Material: Maple\u003cbr\u003eScale Length: 25.5”\u003cbr\u003eFrets: 21\u003cbr\u003eFretboard Radius: 9.5” \u003cbr\u003eAction (Low E): 2mm\u003cbr\u003eNeck Profile: C\u003cbr\u003eNut Width: 42.2mm\u003cbr\u003e12th Fret Width: 51.7mm\u003cbr\u003e1st Fret Depth: 21.2mm\u003cbr\u003e12th Fret Depth: 21.8mm\u003cbr\u003ePickups: DiMarzio Fast Track 1\u003cbr\u003eResistance: 5.28k\u003cbr\u003eElectronics: Custom\u003cbr\u003eKnobs: N\/A\u003cbr\u003ePick Guard: Custom\u003cbr\u003eTuners: Fender logo\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 3.61kg\u003cbr\u003eMods, Repairs: Pickguard, removed pickups and controls, replaced bridge pickup\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":42518141370430,"sku":null,"price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1FenderStratocasterSinglePickupRed_9e2d946e-8d17-42ce-bf14-2ee9694c79ce.jpg?v=1772419344"},{"product_id":"fender-telecaster-custom-electric-guitar-blonde-usa-1978","title":"Fender Telecaster Custom  | Blonde | USA | 1978","description":"\u003cp\u003eIf you’ve ever chased the swagger of 1970s rock and roll, this 1978 Fender Telecaster Custom puts you right in the zone. The bright, spanking tele bridge, combined with the big, punchy tone of the Fender wide range pickup in the neck are perfect for that period correct blues\/rock and roll look and sound. \u003c\/p\u003e\n\u003cp\u003eThis USA made, 78 Telecaster Custom retains all the original electronics, hardware and pickups, making it a very honest original example. The combination of ash body, maple neck, and the original CuNiFe Wide Range Humbucker makes the 70s Tele Custom part Les Paul, part tele, but ultimately, entirely its own thing. \u003c\/p\u003e\n\u003cp\u003eThis guitar is finished in the original urethane gloss. While the body of this guitar is virtually unmarked, there are some chips in the finish on the fretboard. This is likely due to the original owner wearing rings when they were playing. This is a rather common situation for Fenders of this era, and further evidence of its originality. \u003c\/p\u003e\n\u003cp\u003eThis guitar has no modifications. All the wiring, pickups, tuners etc are all original to the instrument. What’s more, this guitar comes with a load of original 1970s case candy, including original sales receipts, warranty slips, original Allen key in pouch, and the original ash tray bridge cover. \u003c\/p\u003e\n\u003cp\u003eThis guitar, previously owned by a collector, has been well looked after, even the original hard shell case is in exceptional condition. \u003c\/p\u003e\n\u003cp\u003eThis is a stunning original instrument that sounds as good as it looks. \u003c\/p\u003e\n\u003cp\u003e______________________________\u003cbr\u003e \u003cbr\u003eBrand: Fender\u003cbr\u003eModel: Telecaster Custom\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1978\u003cbr\u003eSerial: S813XXX\u003cbr\u003eCase: OHSC\u003cbr\u003eBody Colour: Blonde\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Urethane\u003cbr\u003eBody Material: Ash\u003cbr\u003eNeck Material: Maple\u003cbr\u003eScale Length: 25.5”\u003cbr\u003eFrets: 21\u003cbr\u003eFretboard Radius: 7 1\/4”\u003cbr\u003eAction (Low E): 1.9mm\u003cbr\u003eNeck Profile: C\u003cbr\u003eNut Width: 41.6mm\u003cbr\u003e12th Fret Width: 51.3mm\u003cbr\u003e1st Fret Depth: 21.5mm\u003cbr\u003e12th Fret Depth: 23.8mm\u003cbr\u003ePickups: Fender Wide Range hum bucker, Fender Tele Single Coil\u003cbr\u003eResistance: Neck: 10.57k, Bridge: 6.37K\u003cbr\u003eElectronics: Original\u003cbr\u003eKnobs: Black\u003cbr\u003ePick Guard: 3 ply black\u003cbr\u003eTuners: Original “F” Stamp\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 4.36kg\u003cbr\u003eMods, Repairs:N\/A\u003cbr\u003eNotes: Paint chips on fretboard\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":42541911015486,"sku":null,"price":4275.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1FenderTelecasterCustomElectricGuitar_Blonde_USA_1978_e7f1cef1-55e8-4cce-bc0a-3751f9b8bb72.jpg?v=1777101678"},{"product_id":"gibson-es-300-hollow-body-guitar-cremona-burst-usa-1946","title":"Gibson ES-300 | Cremona | USA | 1946","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s1bSzy1Kqh4?si=9lw3v5MTG-ZbY_Mt\u0026amp;start=242\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003eThis vintage 1946 Gibson ES-300 is a killer vintage archtop with the looks, sounds and smells that make these old Gibson arch tops some of the most magical guitars around. This 17\" wide, full scale cremona burst jazz box is a joy to play. Guitars that are great to play tend to get played a lot, and there is evidence of that with this example. \u003c\/p\u003e\n\u003cp\u003eThis guitar has had its share of maintenance and repairs over the years. It has had a refret with medium jumbo frets, a replacement vintage tailpiece, replacement pick guard, an early neck reset, which has been over sprayed upon reinstallation. In the years just after WW2 it was not uncommon for Gibson to mix and match materials based on availability. This guitar has a mahogany neck, though its not uncommon to see examples of this year with a maple neck. The guitar features vintage kluson “no oil port” fully sealed tuners - which were one of the first iterations of the closed back Klusons, which began to appear in the mid 40s. A couple of these sit slightly askew of the tuner footprint and could be replacements, though they are period correct for this instrument. \u003c\/p\u003e\n\u003cp\u003eThere is a long crack along the side of the instrument on the treble side waist. This has been repaired a long time ago and is structurally sound. \u003c\/p\u003e\n\u003cp\u003eDespite the repairs, the important parts of this guitar are all there. This is a solid, well maintained workhorse. There’s no feeling of frailty to the guitar and its easy to forget this is a legitimate golden age 40s Gibson archtop. There is no perceivable sinking of the top. The binding is in great shape as are the original Brazilian rosewood bridge and fretboard. With a thickness of 20.5mm at the first fret, the neck is thin enough to feel fast and comfortable for most players. The neck is straight with a good low action and a comfortable medium C profile with a reasonably wide nut width of 44.3mm. The cremona burst has aged into a beautiful amber patina. The tone of this guitar is warm and woody with nice P90 clarity. It is strung up with 11-50 flatwounds. \u003c\/p\u003e\n\u003cp\u003eThis guitar comes with a sturdy Hiscox hard shell case in near new condition. \u003c\/p\u003e\n\u003cp\u003eThis may be the perfect player grade 1940s Gibson jazz box. This is a classy instrument with tons of vintage appeal. A great vintage Gibson at a price you might never see again. \u003c\/p\u003e\n\u003cp\u003e______________________________\u003cbr\u003e \u003cbr\u003eBrand: Gibson\u003cbr\u003eModel: ES-300\u003cbr\u003eCountry: USA\u003cbr\u003eYear: 1946\u003cbr\u003eSerial: N\/A\u003cbr\u003eCase: HSC\u003cbr\u003eBody Colour: Cremona Burst\u003cbr\u003eNeck Colour: Burst Early Refinish\u003cbr\u003eFinish Type: Nitro\u003cbr\u003eBody Material: Maple\u003cbr\u003eNeck Material: Mahogany\u003cbr\u003eFretboard Material: Brazilian Rosewood\u003cbr\u003eScale Length: 25.5\"\u003cbr\u003eFrets: 20\u003cbr\u003eFretboard Radius: 12”\u003cbr\u003eAction (Low E): 2mm\u003cbr\u003eNeck Profile: Med\/Thick C\u003cbr\u003eNut Width: 44.3mm\u003cbr\u003e12th Fret Width: 54.1mm\u003cbr\u003e1st Fret Depth: 20.5mm\u003cbr\u003e12th Fret Depth: 23.3mm\u003cbr\u003ePickups: P90\u003cbr\u003eResistance: 8.85k\u003cbr\u003eElectronics: Volume\/Tone\u003cbr\u003eKnobs: Original Clear \u003cbr\u003ePick Guard: Repro 5 ply Black\u003cbr\u003eHardware: Nickel\u003cbr\u003eWeight: 2.78kg\u003cbr\u003eMods\/Repairs: Crack repair along waist - treble side, early neck reset and refinish back of neck, refret, reproduction pick guard, strap button at heel\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":42723322167358,"sku":null,"price":5449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1GibsonES-300HollowBodyGuitarCremonaBurstUSA1946.jpg?v=1777013940"},{"product_id":"1999-gibson-sj-200-natural-usa","title":"Gibson SJ-200  | Natural | USA | 1999","description":"\u003cp\u003eThis Gibson SJ-200 is a fabulous looking, punchy sounding rhythm machine. Resplendent in stunning figured maple, the top tier wood selection is shown off underneath a light nitrocellulose clear finish displaying a highly figured neck, back and sides. The medium and even grained spruce spruce top has broken in well over the last 27 years, giving a big, warm and LOUD acoustic projection. \u003c\/p\u003e\n\u003cp\u003eThis fully acoustic instrument sounds and plays excellently. With 2.5mm action at the 12th fret, this is easy to play, with a nice straight neck and a very “medium” c profile. At near 44mm at the nut, the neck feels reasonably wide. The painted motif on the pick guard has been rubbed back approximately 20% from strumming. This is the only specific signs of wear on this instrument. \u003c\/p\u003e\n\u003cp\u003eEasily one of the most beautiful acoustic guitars ever produced, this Gibson SJ-200 is a sight and sound to behold. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e______________________________\u003cbr\u003e \u003cbr\u003eBrand: Gibson\u003cbr\u003eModel: SJ200\u003cbr\u003eCountry: USA (Montana)\u003cbr\u003eYear: 1999\u003cbr\u003eSerial: X9160XXX\u003cbr\u003eCase: OHSC\u003cbr\u003eBody Colour: Natural\u003cbr\u003eNeck Colour: Natural\u003cbr\u003eFinish Type: Nitro\u003cbr\u003eBody Material: Figured Maple\u003cbr\u003eNeck Material: Figured Maple\u003cbr\u003eFretboard Material: Rosewood\u003cbr\u003eScale Length: 25.5”\u003cbr\u003eFrets: 20\u003cbr\u003eFretboard Radius: 12\"\u003cbr\u003eAction (Low E): 2.5mm\u003cbr\u003eNeck Profile: Med C\u003cbr\u003eNut Width: 43.9mm\u003cbr\u003e12th Fret Width: 53.9mm\u003cbr\u003e1st Fret Depth: 21.2mm\u003cbr\u003e11th Fret Depth: 22.3mm\u003cbr\u003ePick Guard: Painted Tortoiseshell\u003cbr\u003eTuners: Kluson Tulip\u003cbr\u003eHardware: Gold\u003cbr\u003eWeight: 2.4kgs\u003cbr\u003eMods, Repairs: N\/A\u003cbr\u003e\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":42930160697406,"sku":null,"price":7950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1GibsonSJ200Natural.jpg?v=1781595987"},{"product_id":"andy-taylor-custom-c-3po-electric-guitar-goldtop-2023","title":"Andy Taylor Custom C-3PO | Goldtop | AUS | 2023 |","description":"\u003cp\u003eHere’s an offering from our friend Andy of Andy Taylor Custom guitars. The C-3PO has affectionately been dubbed the “Les Small” (or Less Paul?) due to its similarities and smaller body size. At 25” scale length the string feel is somewhere between the snappiness of a tele and the warmth of a Les Paul and draws comparisons with PRS style instruments. The guitar sports a Les Paul pickup configuration with a lovely set of Mick Briefly Vintage Humbuckers. \u003c\/p\u003e\n\u003cp\u003eThe C-3PO is constructed with all Australian timbers. It features a Southern Silky Oak body with QLD Kauri top, a neck made of Northern Silky Oak and a fretboard made of Casuarina lace wood.\u003c\/p\u003e\n\u003cp\u003eWith a nut width of 41.5mm, the neck has a slender feel with a slight V profile to it, medium jumbo frets and black binding with white dots. Being a 2023 model this has had some light use as evidenced by some scuffing on the back. Overall this guitar is in great shape. Note this guitar has no hard case. One will need to be sourced at buyers expense if we are to ship this guitar to you. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e______________________________\u003cbr\u003e \u003cbr\u003eBrand: Andy Taylor Custom\u003cbr\u003eModel: C-3PO\u003cbr\u003eCountry: AUS\u003cbr\u003eYear: 2023\u003cbr\u003eSerial: N\/A\u003cbr\u003eCase: N\/A\u003cbr\u003eBody Colour: Translucent Red\u003cbr\u003eNeck Colour: Translucent Red\u003cbr\u003eFinish Type: Nitro\u003cbr\u003eBody Material: Southern silky oak with QLD Kauri top\u003cbr\u003eNeck Material: Northern Silky Oak\u003cbr\u003eFretboard Material: Casuarina lace wood \u003cbr\u003eScale Length: 25”\u003cbr\u003eFrets: 24\u003cbr\u003eFretboard Radius: 9.5”\u003cbr\u003eAction (Low E): 2mm\u003cbr\u003eNeck Profile: slim, Soft V\u003cbr\u003eNut: 41.5mm, Tusq\u003cbr\u003e12th Fret Width: 51.9mm\u003cbr\u003e1st Fret Depth: 22mm\u003cbr\u003e12th Fret Depth: 23.8mm\u003cbr\u003ePickups: Mick Brierley Vintage Humbuckers\u003cbr\u003eResistance: Neck: 7.28K, Bridge: 7.91K\u003cbr\u003eElectronics: 2X Vol 2X tone, 3 way selector\u003cbr\u003eKnobs: Top Hat\u003cbr\u003ePick Guard: N\/A\u003cbr\u003eTuners: Sperzel locking\u003cbr\u003eHardware: Chrome\u003cbr\u003eWeight: 7.5lb (approx)\u003c\/p\u003e","brand":"Andy Taylor Customs","offers":[{"title":"Default Title","offer_id":42934152626238,"sku":null,"price":1900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/files\/1ATCustomSolidBodyGuitar-MetallicGold_cea17935-daf9-41f4-ae13-d87efe55fa23.jpg?v=1781674001"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7489\/2350\/collections\/Amps.jpg?v=1781697494","url":"https:\/\/fretboardjungle.com\/de\/collections\/amps-pedals-accessories-1.oembed","provider":"Fretboard Jungle","version":"1.0","type":"link"}